"Gravity Pairs" envelops listeners in a lush soundscape characterized by ethereal synths and intricate electronic textures. The production is polished, with a blend of ambient and downtempo elements that create a reflective atmosphere throughout the album. Tracks like "Don't Go Looking" and "Be My Organ" showcase a delicate interplay of layered vocals and pulsating beats, while "On Ice" and "Bending Light" introduce a more spacious, contemplative feel. The energy ebbs and flows, with moments of intensity in tracks like "The War You're After," contrasted by the serene qualities of "Little Words." Overall, the album's distinctive sonic palette lies in its seamless fusion of organic and electronic sounds, inviting introspection and emotional resonance.

Album: Gravity Pairs by Beacon (2018)
Format: Album

Artist Background: Beacon is an electronic duo of Thomas Mullarney III and Jacob Gossett from Brooklyn, New York City, NY, USA. They started out in 2011 with the release of No Body EP. Their first full-length studio album The Ways We Separate saw the light of day on April 29th, 2013 and is described as a combination of rnb, synthpop, and trip-hop. More information about Beacon can be found at www.beaconband.nyc. Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Music Scene: Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Tags: 2010s, Album


"L1" by Beacon showcases a lush synthpop sound characterized by intricate layers of shimmering synths and pulsating basslines. The production is polished, with a blend of electronic and organic textures that create a rich sonic landscape. Tracks like "Fault Lines" and "Better Love" feature driving tempos and anthemic choruses, while "Minor Structures" offers a more introspective vibe, highlighting atmospheric soundscapes. The interplay between airy vocals and deep, resonant beats adds an emotional depth, making the album both danceable and contemplative. The distinctiveness of "L1" lies in its ability to balance energetic rhythms with ethereal melodies, crafting a cohesive experience that resonates with the listener.

Album: L1 by Beacon (2014)
Genre: Synthpop | Style: Rock/Pop
Format: Album

Artist Background: Beacon is an electronic duo of Thomas Mullarney III and Jacob Gossett from Brooklyn, New York City, NY, USA. They started out in 2011 with the release of No Body EP. Their first full-length studio album The Ways We Separate saw the light of day on April 29th, 2013 and is described as a combination of rnb, synthpop, and trip-hop. More information about Beacon can be found at www.beaconband.nyc. Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Music Scene: Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Tags: Synthpop, Rock/Pop, 2010s, Album


Album: Escapements by Beacon (2016)
Genre: Synthpop | Style: Rock/Pop | Mood: Good Natured
Format: Album

Description: After Beacon's year-long run of performances in support of The Ways We Separate, during which the duo's shadowy debut album naturally took on a more intense form, they recorded L1, an EP that gave prominence to increased tempos and relatively fidgety percussion. The contrast between the album and Escapements isn't quite as severe. The average BPM is higher through some rhythms that embrace springy house and flirt discreetly with rattling trap, but Escapements nonetheless plays best for an audience of no more than two -- pensive individuals who, like Beacon lyricist/vocalist Thomas Mullarney III, might refer to celestial mathematics or slowly degrading clock mechanisms when detailing the breakdown of a romance. Even when the physicality of Jacob Gossett's layered productions reach a peak, Mullarney likewise maintains an intimate approach. His projections are often no louder than whispers directed at someone within inches, yet his voice is never drowned out, not even on "Cure," where he drifts over a knot of bounding bass, glints of synthesizer, and frenetic percussion. The jittering "L1" reappears here, and with its despairing and claustrophobic sentiments ("On this track we spin around/I'm stuck in reverse"), it's almost as emblematic of the album as the elegantly dejected title track ("Never knew how to breathe/Without you near"). Those tracks also play off one another, illustrating the good and bad effects of losing oneself in a relationship. Other songs are colored with words and phrases of despair and resignation, like "doubt," "losing my grip," and "let's just break up." If the productions weren't so richly detailed and deceptively varied, Escapements might be a stifling experience.

Artist Background: Beacon is an electronic duo of Thomas Mullarney III and Jacob Gossett from Brooklyn, New York City, NY, USA. They started out in 2011 with the release of No Body EP. Their first full-length studio album The Ways We Separate saw the light of day on April 29th, 2013 and is described as a combination of rnb, synthpop, and trip-hop. More information about Beacon can be found at www.beaconband.nyc. Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Music Scene: Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Tags: Synthpop, Rock/Pop, Good Natured, 2010s, Album

Additional Context: Rating score: 7. Based on 1 votes


After Beacon's year-long run of performances in support of The Ways We Separate, during which the duo's shadowy debut album naturally took on a more intense form, they recorded L1, an EP that gave prominence to increased tempos and relatively fidgety percussion. The contrast between the album and Escapements isn't quite as severe. The average BPM is higher through some rhythms that embrace springy house and flirt discreetly with rattling trap, but Escapements nonetheless plays best for an audience of no more than two -- pensive individuals who, like Beacon lyricist/vocalist Thomas Mullarney III, might refer to celestial mathematics or slowly degrading clock mechanisms when detailing the breakdown of a romance. Even when the physicality of Jacob Gossett's layered productions reach a peak, Mullarney likewise maintains an intimate approach. His projections are often no louder than whispers directed at someone within inches, yet his voice is never drowned out, not even on "Cure," where he drifts over a knot of bounding bass, glints of synthesizer, and frenetic percussion. The jittering "L1" reappears here, and with its despairing and claustrophobic sentiments ("On this track we spin around/I'm stuck in reverse"), it's almost as emblematic of the album as the elegantly dejected title track ("Never knew how to breathe/Without you near"). Those tracks also play off one another, illustrating the good and bad effects of losing oneself in a relationship. Other songs are colored with words and phrases of despair and resignation, like "doubt," "losing my grip," and "let's just break up." If the productions weren't so richly detailed and deceptively varied, Escapements might be a stifling experience.

"The Ways We Separate" envelops listeners in a lush synthpop soundscape, characterized by shimmering synths and rhythmic basslines that create a vibrant yet introspective atmosphere. The production features a blend of polished electronic textures and organic instrumentation, with tracks like "Bring You Back" and "Headlights" showcasing a dynamic interplay between upbeat tempos and emotive melodies. The energy fluctuates throughout, with anthemic moments in "Anthem" contrasting with the more subdued, reflective tones of "Late November." The album's distinctive quality lies in its ability to balance intricate sonic layers with accessible pop sensibilities, making each track a rich auditory experience that invites both movement and contemplation.

Album: The Ways We Separate by Beacon (2013)
Genre: Synthpop | Style: Rock/Pop
Format: Album

Artist Background: Beacon is an electronic duo of Thomas Mullarney III and Jacob Gossett from Brooklyn, New York City, NY, USA. They started out in 2011 with the release of No Body EP. Their first full-length studio album The Ways We Separate saw the light of day on April 29th, 2013 and is described as a combination of rnb, synthpop, and trip-hop. More information about Beacon can be found at www.beaconband.nyc. Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Music Scene: Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Tags: Synthpop, Rock/Pop, 2010s, Album


"Jonah" showcases a blend of ethereal synths and intricate electronic textures, typical of Beacon's atmospheric sound. The production is polished, with a focus on layered vocals and ambient soundscapes that create a sense of intimacy and depth. Tracks like "When to Run" and "Come and Get Me" feature pulsing rhythms and a moderate tempo, driving the energy forward while maintaining a reflective quality. The instrumentation is rich, incorporating both organic and synthetic elements, resulting in a lush sonic palette. The album's distinctive character lies in its ability to balance emotional weight with danceable grooves, inviting listeners to explore themes of longing and introspection amidst a vibrant backdrop.

Album: Jonah by Beacon (2018)
Format: Album

Artist Background: Beacon is an electronic duo of Thomas Mullarney III and Jacob Gossett from Brooklyn, New York City, NY, USA. They started out in 2011 with the release of No Body EP. Their first full-length studio album The Ways We Separate saw the light of day on April 29th, 2013 and is described as a combination of rnb, synthpop, and trip-hop. More information about Beacon can be found at www.beaconband.nyc. Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Music Scene: Part of the Brooklyn, New York City, USA music scene. Emerged in the contemporary era. Associated with Synthpop movement. Known for Rock/Pop style.

Tags: 2010s, Album


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