
Kinobe's 'Soundphiles' offers a lush exploration of chilled electronic music, perfectly capturing the ethos of the late 90s and early 00s. With rich sampling and laid-back grooves, it comfortably sits alongside contemporaries like Bonobo and Lemon Jelly, embodying that beautifully relaxed yet intricate sound that defines the era.

Abductions and Reconstructions
Thievery Corporation · 1999
Thievery Corporation's 'Abductions and Reconstructions' blends various world music influences, from dub to bossa nova, echoing the same eclectic sampling approach that Kinobe employs. The intricate layering and jazzy undertones create a similarly chill atmosphere, perfect for those who appreciate the lush textures of 'Soundphiles'.

Last Night the Moon Came Dropping Its Clothes in the Street
Jon Hassell · 2009
Jon Hassell's work on 'Last Night the Moon Came Dropping Its Clothes in the Street' delves into ethereal sound manipulation and global rhythms, much like Kinobe's atmospheric explorations. Both albums evoke a sense of wandering and introspection, inviting listeners into a reflective space.
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EZ3kiel · 2014
EZ3kiel's 'LUX' taps into a similar electronic foundation, blending dub influences with rich instrumentation, making it a fitting companion to the immersive sound found in 'Soundphiles'. The dynamic interplay of bass and samples creates an engaging listening experience that fans of Kinobe will appreciate.
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Car Seat Headrest · 2010
While '1' by Car Seat Headrest leans more towards indie rock, its introspective lyrics and lo-fi production charm offer a contrast to Kinobe’s polished electronic sound. Yet, both artists share a knack for capturing personal feelings in a relatable way, making it an interesting listen for fans of emotive music.
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For Those of You Who Have Never (And Also Those Who Have)
Huerco S. · 2016
Huerco S.'s 'For Those of You Who Have Never (And Also Those Who Have)' embodies a dreamy ambient quality that aligns well with the chill atmosphere of 'Soundphiles'. The abstract production style provides a contemplative listening experience, similar to Kinobe's approach.
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Gabrielle Aplin · 2023
Gabrielle Aplin’s 'Phosphorescent' embraces a contemporary indie folk style that contrasts with Kinobe’s electronic roots, yet both share a keen sense of melody and emotional depth. Aplin's rich vocal delivery and introspective songwriting can appeal to those drawn to Kinobe's melodic sensibilities.
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Ben Kenney · 2010
Ben Kenney's 'Burn the Tapes' captures a raw energy that, while different from Kinobe's polished electronic sound, reflects a creative spirit that values musical experimentation. Fans of eclectic sounds may find Kenney's work an interesting exploration beyond the chill vibes of 'Soundphiles'.

Skye Newman · 2025
Though 'SE9 Part 1' by Skye Newman is set to release in the near future, its digital nature suggests a modern approach to electronic music that will likely appeal to fans of Kinobe’s earlier works. Both artists tap into contemporary production techniques that keep the electronic movement evolving.
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