Origins (Deluxe Edition)

Four albums in six years is a breakneck pace for any major artist in 2018, to say nothing of a band as ascendant and ambitious as Imagine Dragons. And as with its predecessors, the songs that comprise <i>Origins</i>—coming just over a year after the blockbuster <i>Evolve</i>—aren't tossed-off lo-fi recordings. They’re big hits with big beats and big choruses and big production, made for the big venues that the Los Angeles/Las Vegas quartet regularly play. And if the pressures that come with mounting pop stardom aren’t enough to discourage a prolific streak, there’s always debilitating personal strife. But those hard times led to more songs, frontman Dan Reynolds tells Apple Music.<br /> <b>How did this album come together so quickly?</b> Some of these songs were written when we had weeks off on tour; some were written a month ago. I know there’s some bands that say, “Every three years we’ll put out a record and feed the fans, do a big tour, and then go away,” but we have the ability to continually feed the culture and fan base of Imagine Dragons, so why not do that? I grew up mainly listening to hip-hop and I loved the whole aspect of mixtapes—you could consume stuff from your favourite artists continually, and rock doesn’t do that. We kind of just get put there because we have a guitarist and because sometimes I sing a little screamy, but I really am more influenced by the culture of hip-hop, and of R&B music. <br /> <b>Is there one particular song that made you realise this was going to be a proper album sooner than later?</b> The last track, “Real Life”, really solidified things for me. Imagine Dragons has never been a love song kind of band, but this record is, like, 90% about love and relationships. I went through a hard divorce this year and we announced it to the world—then we never wound up signing the papers. We have a chaotic relationship, but a stale one seems worse to me. It sounds like such a clichéd thing to say, but going through heartbreak is devastating. Your whole world falls apart.<br /><b>So you threw yourself into writing?</b>I had to be either listening to or creating music at all times, because I was so afraid of facing a quiet room. I just had this gaping hole that felt so desolate and scary, and music at least took me away from that. “Bad Liar” I wrote with my wife right before we separated, and it’s all about a dying relationship. Listening to it now that we’re back together, it’s kind of cathartic in a weird way.<br /> <b>Do you write differently now, knowing there’s a huge audience waiting?</b> Fortunately, we have a few things going for us. We’ve been pretty genre-less since the beginning, so whereas some bands get pigeonholed, we’re able to be all over the gamut. I love big melodies and poppy songs; the only rock I listened to was Rage Against the Machine and Minor Threat. I enjoy writing pop music and I want to write big pop songs.