COCOON

A cocoon suggests a metamorphosis on the horizon, which means yet another evolution might be in store for <b>Yeat</b>, a rapper who is as restless and inventive as he is consistent. The surprise seven-song release dropped in September 2026, just six months after his seismic <i>ADL</i>. As all Yeat projects seem to do, <i>COCOON</i> takes the styles and sounds the rapper has popularised in his near-decade on the scene and tweaks them in ways both small and large. The lone feature on <i>COCOON</i> comes from <b>Drake</b>, which only further reiterates the plane upon which Yeat is floating these days. Few in the game are as reliably popular, and that’s thanks in large part to his consistency—impactful only because the reliable flow of releases demand attention. Take <b>“IN2THAT”</b>, which uses a deconstructed beat that highlights the staccato punches of Yeat’s flow pattern, or <b>“TËNNIS”</b>, which features Yeat pitch-shifting his vocals to highlight the emotional range of his delivery. He sings of a relationship that turns hot and cold, spitting: “We go back and forth likе the game of tennis did.” It’s difficult to discern whether the passion in his voice comes from pain or joy, helping to illustrate the complex array of feelings that come with a decidedly rocky relationship. Even on a surprise release like <i>COCOON</i>, which is seemingly aimed to bridge Yeat from one era to the next, he still takes great pride in the intricacies and details that makes his music both intimately familiar and one of a kind. <b>Our Favourite Track:</b> How can ya beat Drizzy and Yeat teaming up on <b>“MISS MY DAWG”</b>?