The Girl Is Crying in Her Latte

Part of the fun of hearing a new Sparks album in 2023 is realising just how deep their influence continues to run, whether through the meticulous theatricality of artists like Jack Antonoff (Fun., Bleachers) and Phoenix or the sheer overload of hyperpop. The imagery is still funny and immediate (the bored but overemotional protagonist of the title track, the baby trying to climb back into its mother’s womb on “Nothing Is As Good As They Say It Is”), and the music wound so tightly it sounds like its buttons are about to pop off (“We Go Dancing”). And while the brotherly duo’s blend of bitter irony and wide-eyed novelty might’ve seemed misanthropic 50 years ago, now it sounds like a familiar prognosis: Just listen to “Gee, That Was Fun”, where an ever-swelling din of voices lists off all the other things they could’ve done instead of being with you before a lonely Russell Mael concedes he had a pretty good time after all.