Billiards at Nine Thirty" presents a vibrant fusion of garage rock, funk, and soul, characterized by its raw, energetic production. The instrumentation is a lively mix of punchy brass, gritty guitar riffs, and driving rhythms, creating a sound that is both eclectic and cohesive. Tracks like "Phantoms in a Lesser Crystalline Sphere" and "Killer Diller" showcase a dynamic tempo, oscillating between frenetic bursts and laid-back grooves. The album's textures range from gritty and lo-fi to polished, allowing for a diverse sonic palette that keeps listeners engaged. Distinctive in its playful yet haunting lyrical themes, the overall energy is infectious, making it a standout in the contemporary garage punk scene.

Album: Billiards at Nine Thirty by King Khan & The Shrines (2004)
Genre: R&B/Soul
Format: Album

Artist Background: Who is this maniac Master of Ceremonies who openly confesses to the two grand black bohemians said to be lunatic Sun Ra and George Clinton, and whose stagings certainly remind us of a young Herman Sonny Blount and his Solar Arkestra? In 1995 Khan leaves the frosty soil of the city of Montreal playing the bass for the International-Underground-Legends The Spaceshits. The band is produced by Mike Mariconda with a special guest appearance from the Fabulous Andy G (devil dogs). Khan founds the se... Emerged in the 1990s era.

Music Scene: Emerged in the 1990s era.

Tags: R&B/Soul, 2000s, Album

Additional Context: Available on Discogs marketplace


Billiards at Nine Thirty

King Khan & The Shrines

Track List

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