Jazirat-Ul-Arab" immerses listeners in a dense tapestry of sound, where industrial and electronic elements converge in an experimental landscape. The album features a range of textures, from abrasive noise to ambient soundscapes, creating an unsettling yet captivating atmosphere. Tracks like "Arms of the Koran" and "Bourj-El-Barajneh" showcase a rhythmic complexity, with a tempo that oscillates between frenetic and meditative. The use of found sounds and layered instrumentation adds depth, while the production quality emphasizes raw, unrefined edges, enhancing the overall industrial feel. This distinctive approach to sound design invites listeners to explore the interplay of chaos and serenity, making the album a notable entry in the realm of electronic noise.

Album: Jazirat-Ul-Arab by Muslimgauze (1987)
Genre: Noise | Style: Electronic
Format: Album

Artist Background: Muslimgauze was a music project of Bryn Jones (17 June 1961-14 January 1999), a prolific British ethnic electronica and experimental musician, influenced by conflicts in the Muslim world with an emphasis on the Israeli-Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was remarkably prolific, but his mainstream success was limited due in part to his work being issued mostly in limited editions on small record labels. Nonetheless, as critic John Bush writes... Part of the Manchester music scene. Emerged in the 1980s era. Associated with Experimental movement. Known for Electronic style.

Music Scene: Part of the Manchester music scene. Emerged in the 1980s era. Associated with Experimental movement. Known for Electronic style.

Tags: Noise, Electronic, 1980s, Album


Jazirat-Ul-Arab

Muslimgauze

Track List

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