"Wer Böses denkt, soll endlich schweigen" showcases Extrabreit's signature blend of New Wave and rock/pop, characterized by punchy guitar riffs and synth-driven melodies. The production is crisp and polished, with a vibrant mix that highlights the energetic tempo of tracks like "Joachim muß härter werden" and "Russisch Roulette." The album features a dynamic range of textures, from the anthemic choruses of "Elvira" to the more experimental soundscapes of "Plastic Parade." The rhythmic drive is consistent, maintaining an upbeat energy throughout, while tracks like "Mama" and "Zombie Bar" introduce playful lyrical themes. This record stands out for its catchy hooks and a distinctive blend of rock sensibilities with a pop-oriented approach, creating a lively listening experience.

Album: Wer Böses denkt, soll endlich schweigen by Extrabreit (1991)
Genre: New Wave | Style: Rock/Pop
Format: Album

Artist Background: The band was founded around the end of 1978, when they began their career as part of the Neue Deutsche Welle. Their music is not typical of the NDW genre. It was influenced heavily by western rock music, and their lyrics were often critical of politics and society. The members viewed themselves as punks, whose only association with the NDW was the fact that they appeared at the same time. As testament to that they wrote on their Homepage: "Ja wir haben den Scheiß eben mitgemacht!" (Yeah, we ... Part of the Hagen, Germany music scene. Emerged in the 1970s era. Associated with New Wave movement. Known for Rock/Pop style.

Music Scene: Part of the Hagen, Germany music scene. Emerged in the 1970s era. Associated with New Wave movement. Known for Rock/Pop style.

Tags: New Wave, Rock/Pop, 1990s, Album

Additional Context: Available on Discogs marketplace


Wer Böses denkt, soll endlich schweigen

Extrabreit

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