BUBBA

The album cuts and discrete singles that formed KAYTRANADA’s 2016 debut LP, <i>99.9%</i>, established the Montreal producer/DJ as a true champion of the underground. It wasn’t just evident in his features—which included UK garage/R&B singer Craig David, drummer/producer Karriem Riggins and jazz experimenters BADBADNOTGOOD, to illustrate his stylistic range—but in the way he could synthesise those artists’ sounds into an amalgam of hip-hop, house and soul that was both danceable and off-balance. When <i>99.9%</i> won that year’s Polaris Music Prize, it was clear that the Haiti-born KAYTRANADA, aka Louis Kevin Celestin, wouldn’t stay underground for much longer.<br /> His follow-up, <i>BUBBA</i>, might level up the guest list, but KAYTRANADA's guiding principles remain uncompromised. “I’m not trying to rebrand a sound, hoping to get a session [with a high-profile artist],” he tells Apple Music. Where KAYTRANADA goes, the vocalists follow, whether that’s Estelle punctuating the low-slung, lo-fi beat of “Oh No”, Pharrell getting gleefully lost in the slow-winding funk of “Midsection” or Tinashe gliding over a loping house track. His instrumentals—all swervy synths, rubbery bass, drums that rush and drag, and filter sweeps in the French-touch tradition—find him homing in on his singular club sound even more. KAYTRANADA is so deeply committed to keeping a groove going that even a tune about securing one’s finances (“10%”, on which Kali Uchis manages to find a rhyme for “residuals”) can’t kill the vibe.