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Though Beverly Glenn-Copeland is a Polaris Prize winner whose wondrous music has garnered a group of dedicated fans, his early compositions, like 1986’s superb New Age experiment Keyboard Fantasies, weren’t originally heard by the masses. It’s only recently that the Canadian composer has become part of the mainstream consciousness; his resonant voice, forward-looking lyrics, and blissful instrumentals capturing a new generation of listeners and crate diggers in the past decade. But much of this conversation has surrounded albums he released years ago. With The Ones Ahead, Glenn-Copeland shares all-new music for the first time in almost 20 years, offering the…