We Are Family by Sister Sledge
Before 1979's We Are Family, Sister Sledge wasn't a huge name in the R&B/disco world. The group had enjoyed a small following and scored a few minor hits, including "Love, Don't You Go Through No Changes on Me" in 1974 and "Blockbuster Boy" in 1977. But it wasn't until We Are Family that the Philadelphia siblings finally exploded commercially, and the people they have to thank for their commercial success are Chic leaders Nile Rodgers and Bernard Edwards. The Rodgers/Edwards team handles all of the writing, producing, and arranging on this album; so not surprisingly, almost everything on We Are Family is very Chic-sounding. That is true of the sexy "He's the Greatest Dancer" and the anthemic, uplifting title song (both of which soared to #1 on the R&B charts), as well as excellent album tracks like the lush "Easier to Love," the perky "One More Time," and the addictive "Thinking of You." The least Chic-sounding tune on the album is the ballad "Somebody Loves Me," which favors a classic sweet soul approach and is the type of song one would have expected from Thom Bell, Gamble & Huff, or Holland-Dozier-Holland rather than Rodgers/Edwards. Meanwhile, the intoxicating "Lost in Music" (a #35 R&B hit) is about as Chic-sounding as it gets. When Rhino reissued We Are Family on CD in 1995, it added four bonus tracks, all of which are remixes of either the title song or "Lost in Music." These remixes are intriguing; it's interesting to hear late '70s classics turned into high-tech 1990s dance-pop. But they are less than essential, and the original versions are by far the best -- how can you improve on perfection? Both creatively and commercially, We Are Family is Sister Sledge's crowning achievement.
Sister Sledge were a Philadelphia quartet with some fine singles (but limited success) behind them when the Chic Organization’s Nile Rodgers and Bernard Edwards took up their case. In early 1979, as Chic themselves rode high with “Le Freak” and “I Want Your Love”, <i>We Are Family</i> slipped into the racks. With the band’s percolating rhythm section behind them, Kathy, Debbie, Kim and Joni Sledge leapt into the best music of their careers. “We Are Family” itself was an ode to sisterly closeness that was immediately picked up as an anthem by an ever more visible gay culture and the Pittsburgh Pirates, who rode it to a World Series championship in 1979. “He’s the Greatest Dancer”, originally slated for Chic, caught that group’s take on sex and style perfectly, while “Lost in Music” was the smartest kind of dance-floor escapism.
