Shades of God by Paradise Lost
Shades of God is the third album by Paradise Lost. It features the use of growling noticeable in the band's previous efforts although shows the beginning of the transition to more 'clean' vocals seen on the album 'Icon'. Produced, engineered and mixed by Simon Efemey. Recorded at Longhome Studios, Northants. March / April 1992. Guest keyboards by Robert John Godfrey. Additional Female Vocals by Sarah Marrion. Design and Illustration by Dave McKean. Band Photography by George Chin.
The third album from the masked, anonymous Brits of Sleep Token is also the third in a conceptual trilogy that began with their 2019 debut, <i>Sundowning</i>. Introduced with the stirring and dramatic lead-off single “Chokehold”, <i>Take Me Back to Eden</i> is another genre-defying exploration of music’s outer limits, incorporating elements of techno and tech-metal alongside R&B, post-rock and pop—often in the same song. “Vore” spins out in Meshuggah djent-isms before swelling with the kind of strings that recall a battle scene from <i>Game of Thrones</i>. “Ascensionism” is an inventive and often bizarre mix of piano ballad, gospel and ultra-modern metal. Closer “Euclid” sounds like a Lana Del Rey tune performed by an R&B singer and a chorus of aliens. Along the way, there are love songs (“The Apparition”), suicide ballads (“Are You Really Okay?”) and songs about loss (the title track). As always, mastermind Vessel’s vocals soar over the proceedings, offering lyrical mysteries in service to the nocturnal muse he calls Sleep. It’s as bewildering as it is impressive.
