In Times New Roman by Queens of the Stone Age

Album cover for In Times New Roman - Queens of the Stone Age
1. Obscenery
4:23
2. Paper Machete
3:22
3. Negative Space
3:53
4. Time & Place
4:26
5. Made to Parade
5:18
6. Carnavoyeur
3:56
7. What the Peephole Say
4:06
8. Sicily
4:41
9. Emotion Sickness
4:31
10. Straight Jacket Fitting
9:01

In Times New Roman... is the eighth studio album by American rock band Queens of the Stone Age, released on June 16, 2023, through Matador Records. It was announced in a video teaser on May 11, 2023, and is the band's first album since Villains (2017). The announcement occurred alongside the release of the lead single, "Emotion Sickness". The band will tour North America and Europe in support of the record. Recording The band produced the album with mixing handled by Mark Rankin, and recorded it at frontman Josh Homme's Pink Duck Studios in Burbank, California, as well as at Rick Rubin's Shangri-La studio in Malibu, California. In an interview with NME ahead of the album's release, Homme spoke on how life events had an influence on the recording of In Times New Roman...: "I think when you're dealing with the extreme ups and downs of life, you don't stop and go: 'I should really make a record.' Those things don't exist in that moment. If your roof is flooding, you don't say: 'We should make a record about this!' You have to stop yourself drowning in a flood. We recorded it probably two-and-a-half years ago, but it just sat there waiting to be finished. I didn't sing it until last November. I wasn't done living. Honestly, I was probably afraid. I wasn't ready. You need the flood to be over, and then you can decide whether you can accept the flood. I think with this being a record about acceptance, you need to actually get there yourself."

The desk-bound among us might first interpret the title of Queens of the Stone Age’s eighth album as a reference to the font, but a few minutes with the music and you’ll realise that what Josh Homme refers to is a sense of decadence so total it ends with the city on fire. They remain, as ever, the hardest hard-rock band for listeners who don’t necessarily subscribe to the culture or traditions of hard rock, channelling Bowie (“Emotion Sickness”), cabaret (“Made to Parade”) and the collars-up slickness of British synth-pop (“Time & Place”) alongside the motorcycle-ready stuff you might you might expect—which they still do with more style than most (“Obscenery”). And like ZZ Top, they can rip and wink at the same time. But <i>In Times New Roman...</i> plumbs deeper personal territory than prior records. Homme has weathered the deaths of friends, the dissolution of his marriage and other painful developments since the release of 2017’s Villains, and the album touches on all that—but he also wants to be clear about assumptions listeners could make from his lyrics. “I would never say anything about the mother of my kids or anything like that,” he tells Apple Music’s Zane Lowe. “But also, by the same token, you must write about your life, and I think I'm soundtracking my life. These songs and the words that go with them are an emotional snapshot where you stop the film, you pull out one frame. One song it's like, 'I'm lost.' And another one, 'I'm angry.' They need to be these distilled versions of that, because one drop of true reality is enough flavour. I think the hatred and adoration of strangers is like the flip side of a coin. But when you're not doing it for the money, that currency is worthless. I can't get involved in what the people say. In a way, it's none of my fucking business.” For Homme, the breakthrough of <i>In Times New Roman...</i> came <i>because</i> he was unflinchingly honest with himself while he was writing through some of his darkest moments. “At the end of the day, the record is completely about acceptance,” Homme says. “That's the key. My friends have passed. Relationships have ended. Difficult situations have arisen. I've had my own physical and health things go on and things like that, but I'm okay now. I'm 100 per cent responsible for 50 per cent of what's going on, you know what I mean? But in the last seven years, I've been through a lot of situations where it doesn't matter if you like it or not, it's happening to you. And so I've been forced to say, yeah, I don't like this, I need to figure out where I'm at fault here or I'm responsible here or accountable here. And also, I need to also accept it for what it is. This is the reality. Even if I don't like it, it would be a shame to hold on too tight to something that's slipping through your hands and not just accept it for what it is.”