In the Movies by Ice Cube
In the Movies is a 2007 album by Ice Cube. It is a compilation of tracks that have appeared in movies from 1991 with Boyz n the Hood to 2005 with xXx: State of the Union. It was released on September 4, 2007 and in Australia on September 24, 2007. The album was confused for a studio album prior to the release of the tracklisting. This album has guest appearances from Mack 10, Ms. Toi, Dr. Dre, Master P, Mr. Short Khop and Ice-T. The album's artwork is cinema-reel themed and actual images of Ice Cube are similar to those in Laugh Now, Cry Later.
After spending the ’90s as one of the country’s top teenage R&B sweethearts, full of uncompromising hormones and temptation, USHER re-emerged in 2001 with his third studio album, <i>8701</i>—his first artistic offering as a non-teenager. And with that new milestone came music that detailed the experiences of a young man who was starting to see the ups and downs of the prospective love that he’d passionately sought out up to this point. The album’s lead single “U Remind Me”, with its fluttering chords, finds USHER mesmerised by a potential lover, but her similarities to an ex that broke his heart sours his attraction. Over faint acoustic guitar, “U Got It Bad” captures the tension of a topsy-turvy love where petty, explosive arguments turn into longing for resolution. USHER’s conviction in moments like these suggests that he’s pulling from a real place, but the album isn’t just delightful because he’s more seasoned in terms of heartache. Some of <i>8701</i>’s marquee moments place you squarely in the centre of an intensely lit dance floor, hazy from sweat and mist. “I Don’t Know”, for instance, features a barrage of intergalactic synths from The Neptunes while Diddy offers some conversational swaggering, and USHER’s angelic falsetto adds dimension; it’s the kind of song that you run back a few times to focus on a different element of its DNA. The swing and funk interwoven into the production of “Good Ol’ Ghetto” channels the butter-smooth personas of Southern heavyweights of the day like 8Ball & MJG or UGK. More than any of his albums before it, <i>8701</i> framed an USHER for the future, an artist who’d developed all the necessary tools during his early years but was now ready to crystallise those into something full-proof.
