Coming Up by Suede
Coming Up is the third album by English alternative rock band Suede, released in September 1996 on Nude Records. It was the band's first album since the departure of guitarist Bernard Butler, who was replaced by Richard Oakes. Also added to the band was keyboardist Neil Codling. The album was nominated for the 1997 Mercury Prize. A commercial and critical success, Coming Up was the album that introduced Suede to a worldwide audience, in places such as Europe, Canada and Asia. After the departure of guitarist Bernard Butler and the lack of commercial success with Dog Man Star and its singles, Suede were being somewhat dismissed by the British music press. Determined to bring Suede back into the mainstream, Anderson decided that the sound of the new album would be the complete opposite of Dog Man Star. "I think the next album will be quite simple, actually. I'd really like to write a straightforward pop album. Just ten hits." The guitarist to replace Butler was the 17-year-old Richard Oakes, who beat 500 other applicants for the role. Instead of applying for the job like everyone else, Oakes was auditioned on the strength of an impromptu demo tape he sent to the Suede fan club. Despite Oakes's smooth integration into his new role and the band's rejuvenated spirit, Anderson was tired of touring and was keen to get back in the studio with his new songwriting partner. "...it was becoming really not much fun touring an album that wasn't made by the band." This statement was an indication that Suede lacked enthusiasm, and were not content with being on tour, a feeling, which was reflected in the b-side, "Have You Ever Been This Low". To prepare for its recording, the band had immersed themselves in T. Rex's 1972 album The Slider and its successor, Tanx. On the eve of the album's release, Anderson stated: "I wanted it to be a complete turnover from the last album, which was very dark and dank... I wanted it to be communicative and understandable. Pop music generally has to be pretty dumb, I think. And I've had my little affair with the avant-garde. It's not as exciting as pop music." Long-time producer Ed Buller would be at the controls once again. Bass player Mat Osman recalls how Buller was keen on making the album simple. "He was really keen on using all those devices: the big repeated end, the handclaps, the straightforward chorus, make it big and obvious." Two songs which made it onto Coming Up had already been written in the early days of Suede. "Lazy" and "By the Sea" were two of Anderson's compositions, which had been written during the Butler era. "I pretty much knew Bernard wasn't going to be in Suede for the rest of his life and I thought it would be good to have a couple of things knocking about." "By the Sea" was actually written when Suede were recording their first album, which is why the songs opening line is almost identical to "So Young". Unlike the tense and chaotic recording of Dog Man Star, which according to Anderson was written by post, the new material was far more celebratory in both its development and execution. "I kind of like working like that, because the whole of Dog Man Star was written by post pretty much,...There was no mutual exchange or anything like that." Songs such as "By the Sea" and "She" required the use of keyboards. Faced with the problem as to how to play them live, Suede recruited Simon Gilbert's cousin Neil Codling, who made his debut at a fanclub gig in January 1996. The musical sound of Coming Up is more accessible than previous album Dog Man Star. Its singles were much more successful than those of their second LP, while the lyrical content concerns the band's disaffection at the mid-90s hedonistic, celebrity-obsessed culture; "Beautiful Ones" and "She" are caricatures of British yuppies, celebrities and heroin-chic models. "Beautiful Ones" was originally titled "Dead Leg" after Osman threatened to give Oakes a dead leg if he was unable to write a top ten single. According to Anderson, "The Chemistry Between Us" is about "the emptiness of it all" with regards to drug use. The album finishes with a note of optimism in "Saturday Night" - a straightforward, contented love song.
Far from stalling Suede, the departure of guitarist Bernard Butler seems to loosen them up. With snake hips, <i>Coming Up</i> wriggles free of <i>Dog Man Star</i>’s claustrophobia and Brett Anderson's melodramas ring with more defiance than despair. New boy Richard Oakes is a faithful substitute for Butler’s spidery effervescence on cocksure stomps “Trash” and “Beautiful Ones”, and “Saturday Night” confirms that they can still shape melancholy and nihilism into a gorgeous ballad.
