Bridges to Babylon by The Rolling Stones

Album cover for Bridges to Babylon - The Rolling Stones
1. Flip the Switch
3:27
2. Anybody Seen My Baby?
4:31
3. Low Down
4:24
4. Already Over Me
5:24
5. Gunface
5:02
6. You Don't Have to Mean It
3:43
7. Out of Control
4:43
8. Saint of Me
5:15
9. Might as Well Get Juiced
5:23
10. Always Suffering
4:44
11. Too Tight
3:32
12. Thief in the Night
5:16
13. How Can I Stop
6:54

Bridges to Babylon is the 21st British and 23rd American studio album by British rock band The Rolling Stones, released by Virgin Records on 29 September 1997. It would prove to be the band's final studio album of the 1990s and their last full-length release of new songs until 2005's A Bigger Bang. The album was supported by the year-long worldwide Bridges to Babylon Tour that met with much success.

<i>Some Girls</i> wasn’t so much a return to form as to content. Exhausted by the sprawl of the early ’70s, the band sounded lean again, a bar act scaled for arena audiences. (The band’s surprise show at the tiny El Mocambo club in Toronto under the name The Cockroaches a year prior, in 1977, was a neat metaphor: Not only were they stripping down, they were making clear their intention to survive drugs, legal hassle, cultural change, nuclear holocaust and possibly time itself.)<br /> Even the album’s title—<i>Some Girls</i>—called back to a younger, more restless Rolling Stones: riding around the world, doing this and signing that, just trying to make some girl. (Keith Richards, never as nasty as Mick Jagger but still tempted by the bon mot, joked that it was only called “Some Girls” because the band had forgotten the girls’ names.) Well, the girls got made, but the band was still around. The sound was tougher, more immediate. Fewer session musicians and synthesisers, more handclaps. Engineer Chris Kimsey arranged amps in a tight semicircle to mimic a club stage. Jagger’s fascination with disco (“Miss You”) and punk (“Respectable”, “Shattered”) appealed to the moment, but they also refreshed the project the band had been working on for 15 years: marrying working-class music from both sides of the racial divide.<br /> And where Jagger could treat you like a dog and make you like it (“Miss You”, “Respectable”), Richards—responsible for “Before They Make Me Run” and the worn love of “Beast of Burden”—was tender and loyal, the guy who’d been through the wringer and was happy just to be alive. A few years earlier it seemed like the band were settling down. With <i>Some Girls</i>, they were winding up.